Back in college, I first wrote about Haru Nemuri’s Shunka Ryougen for a music column I led on behalf of my university website. Sitting across from the poetry rapper and her team nearly ten months later inside of a WeWork in downtown Austin, I struggled to articulate how important the project meant to me as […]
From the slumberous shoegaze musings of 2016 debut album Sunless, to more placid slowcore impressions in 2018’s False Baptism and lush art rock temperaments of 2020’s Tired and True EP, the songs of Portland-based Uchinanchu American artist Maya Stoner–who performs under the name Floating Room–have hovered above a slew of genres throughout their time in DIY […]